Tuesday
afternoon, I was at my desk, writing e-mails, trying to drum up editing business
and rescue a slow slow year, when the phone rang. The call screener read “The
Jenkins Group.” A tiny waved rippled through my memory.
At
last, a client, perhaps?
“My
name is Andrew Parvel, from the Jenkins Group,” a voice called from another
world. “Did you get our e-mail last week?”
“No. Which
one do you mean?”
“The
one announcing that your novel Dragon’s
Ark has won the Bronze medal, third place, in this year’s IPPY
Awards contest in the Horror Category. Category 15. Go look. Oh . . . and
congratulations!”
No, I
did not and have not fainted. But you may catch me pogo sticking around my neighborhood,
wearing a shiny grin.
The Jenkins Group is a large publishing
services company, based in Farmington, Michigan. Every year, since 1996,
they’ve held the Independent Publishers Book Award (known as the “IPPY”), awarding
a series of medals honoring the year’s best independently published titles in
74 categories.
This
year, Dragon’s Ark found its place in
the crowd: again, Bronze medal, third place, in the Horror category. One among
over 5,000 entries. Consider the odds.
The
IPPY is one of five indie book contests I’ve entered the novel in this year, and
only the second to respond, so far. In 40 years of writing, it’s the biggest
award and highest honor I’ve ever received. I didn’t expect it would happen
this soon, if at all.
The
first person I told, of course, was Elizabeth; then my two sisters-in-law; old
friend and colleague John-Ivan
Palmer; and later, the quasi-communities on Twitter and Facebook. There
remain many more pigeons to send. This is one of them.
In
between e-mails and phone calls, I’ve paced a mile or so around the house and
have become familiar with the contours of empty space. And gone pogo-sticking
up and down the sidewalks of Oakland.
The
IPPY award ceremony will be held at the Providence, a former church and
recording studio in New York City, on June 4, the night before the opening of BookExpo America, the largest
publishing event in the country, also held in New York.
“Of
course,” you say, “you are going to New York, aren’t you, Burchfield?”
“You betcha!” I chirped that day in my best
Sarah Palin gloat. “Elizabeth and I both!” I went so far as to RSVP the IPPY staff.
The
next evening, as I walked home from celebratory libations at Cato’s on Piedmont
Avenue, I tapped the brakes on my speeding mind, pulled into the slow lane
(Yes, it’s true. Three beers and a scotch can, sometimes, be a key to wisdom
and caution).
For
one, fierce, frantic research had led to a cost estimate of $2,000 minimum for
the trip to New York from Oakland, just for the flight and hotel (unless we
were to settle for the Staten Island Ramada Inn, $90/night and Earl’s
Boy-Are-My-Arms-Tired Airline, $100 round trip, no seat belts, no engine, but
free peanuts, a used WW II parachute and layovers in Gardnerville, NV, Oshkosh,
WI, and Johnstown, PA).
The
editing business, as said above, has been very bad this year so far. Two
thousand dollars would be two arms, a leg, and a knee, no crutch.
Further,
as Elizabeth pointed out that evening as we talked it over, I’ve been eager all
year to launch an advertising campaign for all three of my books (and two more
to come out), under the Ambler House
imprint.
Books
that win awards, even relatively minor ones, show increased sales. But the
world must be told. And my win would speak louder with a steady, persistent marketing
campaign, than would it would with carbon footprint increases and a two nights
on a lumpy hotel mattress in Staten Island.
The glamour part can wait.
I
reluctantly withdrew my RSVP. I will stay home and spend the money from behind the
desk in my tiny office.
This
decision will remain—in our current economic frame—quite pricey. Already I’ve burned
a hole in my pocket to have Dragon’s Ark
featured, with other winners, in the New Title Showcase, a display shelf to be set
up at the front door of the BookExpo. I’ll be ripping a big one for advertising
space in the “Show Daily,” the official daily magazine of BookExpo America, produced
by “Publishers Weekly.”
And
that’s just the beginning: The Jenkins Group (and other companies) provides a
variety of PR services; there are ads to buy on Goodreads, Facebook, Google.
The list is larger than can be known.
I still
feel like a leaf in a windy blue sky, anxious as I try to keep from becoming
overwhelmed. I’m grateful to the IPPY committee and judges; to Elizabeth—to
whom I owe so much for this; and everyone who contributed to Dragon’s Ark, including all the beta
readers, my interior designer Joel Friedlander and cover designer Cathi
Stevenson.
I pray
to keep my head clear and my feet on ground, one step, one day at a time . . . .
Among my
amusing thoughts: as the independent publisher of Dragon’s Ark, I’m put in the odd, slightly embarrassing position of
congratulating myself on my
accomplishments. In the third person, like it’s been said, Richard Nixon
used to do. Luckily, there are only two mirrors in our apartment and their
reflections are fragmentary.
It’s
not like I’ve never been here before.
But each time, the door opened to a room that I found to be empty and I walked out
hollow with disappointment.
This
time, it’s very different. This time, there’s furniture and a small window and
a door taking shape in the opposite wall. At this, point, all I can add is thanks
to all of you that have been coming by here over the years and . . . stay
tuned.
Time
for another turn around the neighborhood on my pogo stick.
Copyright
2012 by Thomas Burchfield
Thomas
Burchfield is the author of the 2012 IPPY Award winning contemporary Dracula
novel Dragon's
Ark, and the original screenplays Whackers
and The Uglies (e-book editions
only). Published by Ambler
House Publishing, all are available at Amazon
in various editions. You can also find his work at Barnes
and Noble, Powell's
Books, Scribed, and at the Red Room bookstore. He also “friends” on Facebook, tweets
on Twitter, and reads at Goodreads. You can also join his e-mail list via
tbdeluxe [at] sbcglobal [dot] net.
He lives in Northern California with his
wife, Elizabeth.
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