Bellefleur, a Joyce Carol Oates novel from 1980, sat on
my shelf for a while before I finally opened it in the mid-2000s. I stepped through the door half-expecting some
earnest, weepy, melodramatic family saga-soap opera, by way of East of Eden and Oates’s 1971 naturalist
novel, Wonderland (whose central
character, Jesse Vogel, suddenly reminds me of Mad Men’s Don Draper . . . but never mind).
What I found
behind the doors of Bellefleur was
one of the most outrageous, outlandish Gothic horror tales I had ever read, one
whose memory I cherish in a special hollow in the storm-lashed backwoods of my
mind.
So it
was with some excitement that I opened her newest novel The Accursed, which, reviews indicated, appeared to be something of
a return to the weird climes of Bellefleur.
(Oates is known to be a champion of horror fiction and has edited several
anthologies, including a collection of H.P. Lovecraft’s work; she’s also won
both the Pulitzer Prize and the Bram
Stoker Award from the Horror Writers of America.)
Indeed,
The Accursed is a broad baggy mishmash
of high Gothic, supernatural horror, romance, alternate history, and politics,
both racial and sexual. It’s set during the years 1905–1906, behind the exclusive
ivy-covered ramparts of Princeton University. The main narrator—and document
collator--is a fussy, enigmatic regional historian named Van Dyck, who, we
learn, has his own secret agenda in revealing the secret history of Princeton,
a place where demonic forces struggle secretly for power.
The
tale weaves together a large population of characters, some historical and some
not (as in E. L. Doctorow’s Ragtime
et al): the Reverend Joseph Slade, a Presbyterian and former dean of the
University and New Jersey governor; future U.S. President Woodrow Wilson, the
university’s current president; the Reverend Slade’s children, including his
troubled son, Josiah and his beloved cousin Adelaide; and various other friends
and relations, University faculty and administrators, and their sprawling
network of families. Upton
Sinclair and Jack London also wander from factual history into this fictional
world.
Two
major academic factions of Princeton are at war—on one side there’s the fussy, prim,
and paranoid Woodrow Wilson; on the other, corpulent sensualist Andrew West,
Wilson’s bitter rival for control of elite Princeton U, a man who, it is whispered
about, has been engaged in what is delicately called “occult practices.” (Oates
has great fun with the modes of polite indirect discourse common at that time.
Her prose blushes delightfully with coy embarrassment.)
Into
the middle of this academic kerfuffle drops a demon who nearly destroys this
privileged sanctuary of white male power. He is sometimes known as Axson Mayte,
at other times, Count Von Gneist, from Wallachia. Whoever’s path he crosses, he
becomes a projection of their inner darkness: "The devil has no name and
no face." Only the names and faces we give it.
Astute
readers will quickly see the tribute to the great Dracula and other Gothic novels. Night-blue shadows cast their
welcome everywhere, even by daylight. Like Dracula,
the novel is designed as a collage of newspaper articles, diaries, and
third-person narrative that chains together ghoulish hauntings, bloody murder, tender
and thwarted love, vile unnatural lust, evil snake attacks, and subterranean
wheelings and dealings, both in this world and those beyond our meager ken.
Further,
like another Recent Novel by an Author Whose Name Shall Go Unmentioned, Oates
is frankly disinterested in the Freudian/sexual interpretation imposed on Dracula and his descendants. In The Accursed, the vampires are creatures
of power, control, and exploitation.
And
like all Gothic novels of that era, good and bad, The Accursed does its share of lumbering and digressing. With
florid, colorful, and rambling pen, Oates does a great job of keeping our minds
within this time and place, so we forget just enough about ours.
Most of
The Accursed is pleasurable and once
in a while, genuinely eerie and creepy; especially a demonic encounter in a lonely
swamp and a young woman’s realization that she has become an unwilling object
of lust for the most powerful men in Princeton. There are also floating
spirits, ghost-children, snake attacks, people turning into statues and other
things wondrous and strange, things we like in this kind of book, spun with
great skill and atmosphere.
The Accursed often loses focus and strays,
however. Several chapters feel choked up with the static emanating from some of
the more bilious and unstable characters; other chapters seem digressions that
lead nowhere instead of weaving themselves back into the narrative (for
instance, Woodrow Wilson’s seemingly pointless vacation in Bermuda.) The literary
and thematic motives for sewing Upton Sinclair and Jack London into the
tapestry feels forced. An episode about Sinclair and London meeting in New York
is thrilling and colorful but seems to belong entirely in another novel.
Like
many Gothics and Victorian novels I’ve read, the ending is contrived almost
beyond tolerance and full of miraculous—and I do mean miraculous—reversals,
closing with a VERY VERY LONG RANT WRITTEN IN ALL CAPS REVEALING WHO WAS BEHIND
THE CURSE ALL ALONG AND THAT GOES ON AND ON EXACTLY LIKE AN INTERNET COMMENT
BOARD POPULATED BY RAGE JUNKIES AND OTHER TROLLS WHO SHOUT ALL THE TIME!
The
point Oates makes here is a theological and ideological one and I guess I’m
supposed to be provoked into either yaying or naying on the issue, but, as
always when people start shouting, I found myself wishing I were both blind and
deaf. (Maybe I’m just a boiled noodle.) At any rate, I finally closed the book
with more relief than probably intended. According to my Kobo reader (if it be reliable),
it took 13.8 hours for me to read The
Accursed, but it felt longer by a couple more.
Copyright 2012 by Thomas
Burchfield
2 comments:
Thanks for the review. Interesting comments, as I will not buy it now.
Thank you! I recommend "Bellefluer," however, for a great read!
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